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Watch it on Netflix: Concrete Cowboy The Death of Stalin (2017)Ī comedy? Yes, but of the most satirical stripe imaginable, and it's unforgivingly sharp as wielded by director-cowriter Armando Iannucci ( Veep). The storyline is pretty prefabricated - a rebellious teen Caleb McLaughlin ( Stranger Things) learns to tame his anger by taming a bronco - but Idris Elba (who coproduced) is magnificent as his dad, and the glimpse of a hardy subculture struggling against gentrification is deeply moving. Directed by actor Ethan Hawke, with an ear for the tall tale and just enough grit to sand off the sentiment.ĭid you know there were urban cowboys in Philadelphia? I didn't until I watched this drama based on the Fletcher Street stables and the modern descendants of the city's 19th-century African American hostlers and horse drivers. Blaze who? An Austin, Texas, alt-country legend who was immortalized after his 1989 death in Lucinda Williams’ “Drunken Angel.” Rocker Ben Dickey plays the man like a big, sweet bear beset by demons, Alia Shawkat plays his long-suffering wife, and musician Charlie Sexton is terrific as Townes Van Zandt, Foley's friend in music and substance abuse. Blaze (2018)Ī gentle shaggy-dog music biopic about Blaze Foley.
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But never fear! After careful combing through the complete list, we've unearthed 21 hidden movie gems that might have flown below your radar … until now.
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To make matters harder for film fans, the good stuff is largely hidden behind the Netflix suggestions wall full of its own originals and popular TV shows. It's unfortunate that Netflix canceled this underrated show after just two seasons.Idris Elba and Caleb McLaughlin in "Concrete Cowboy" (left) and Carey Mulligan in "The Dig."Įn español | Here's a dirty little secret Netflix doesn't want you to know: Its movie backlist may be vast (3,700 and counting), but it's not exactly full of gold-star cinema.
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The joy of the series is in the updated casting, DeWanda Wise's Nola beams with wisdom, fear, artistic knowledge, and carnal desire, while the men and women in her life are fleshed out and… fleshed out, allowing the many sex scenes to play to the senses while reaching for something deeper.
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Lee's signature, syncopated style-bright colors, up-close-and-personal confessionals, jolts of pop music and album art, Bruce Hornsby's melancholy piano filling the gaps-is intact, tracking Nola through the gentrifying brownstone labyrinth of Fort Greene. But who is she? Spike Lee made his directorial debut with 1986's She's Gotta Have It, and 30 years later, expands the character study into his first TV series, a rhythmic exploration of sex, Brooklyn, and Black life. Nola Darling is an artist, an activist, a Brooklynite, and a sex-positive polyamorous pansexual with three emotionally volatile boyfriends.
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Campion's direction is dangerously erotic, while Benedict Cumberbatch gives one of his all-time great performances as a man so uncomfortable in his own skin he inflicts his pain upon others. He is similarly inclined to do that to her son, Peter (Kodi Smit-McPhee), who arrives at the ranch on summer holiday from college studies, but instead decides to take him under his wing, figuring he can mold him into the kind of man he thinks is worth being. He worships a rider named Bronco Henry and calls his softer brother George (Jesse Plemons) "fatso." When George marries a widowed innkeeper (Kirsten Dunst), Phil makes it his mission to mentally torture her. Benedict Cumberbatch plays Phil Burbank, a rancher who prides himself on the dirt under his fingernails and his ability to live with as few amenities as possible. The Piano director Jane Campion's return to feature filmmaking after more than a decade away is an absolute triumph, a chilling exploration of a man driven to cruelty by the pursuit of a masculine ideal in the American West.